Writers Strike For Fairness
Last week, the Writers Guild of
America (WGA), a union of 12,000
television and screen writers, went on strike for the first
time in 20 years after talks stalled between the WGA and the
Alliance for Motion Picture and Television Producers. In
the 1980s, writers took an 80 percent cut in residual pay, but
since then, studios have not restored these cuts
despite burgeoning profits. As a result, the WGA wants to "renegotiate
its contract with the Hollywood studios over the amount of money
they receive from DVD sales" and "films and shows that can be
downloaded" onto electronic devices. "Industry analysts
predict a lengthy
shutdown lasting several months,
with one estimate of potential losses set at more than one billion
dollars." Today, the writers are working not just "against a cadre of
studio heads," as they did in the 1980s, but against giants like
News Corp. and Walt Disney, "with
massive pockets and businesses big enough to withstand a walkout."
"I've been working with these people for 20 years," said comedian Jay
Leno. "Without
them I'm not funny." Support the writers HERE.
THE WRITERS' PREDICAMENT: In
2004, The
New York Times reported that "not since the advent of the
videocassette in the mid-1980s has the movie industry enjoyed such
a windfall from a new product," in reference to DVDs. In contrast,
as the WGA notes,
"48 percent of writers guild members are unemployed at any time.
Residuals are more than just extra cash. They are a life saver,
allowing writers in financial strains to keep from losing their house
or losing health insurance." Most
WGA members seldom
earn beyond five figures each year. "Some of these writers
are living check to check," said James Brooks,
the writer, director, and producer of The Simpsons. Actors, directors,
and crew members also rely
on residuals to "pay the bills and fund their health and
pension programs." The writers are "one of the best examples out
there of the idea that
working
people can
advance their interests through unions even outside of traditional
'hard hat' or public sector industries," observed The Atlantic's
Matthew
Yglesias.
CORPORATE PROFITS AND THREATS: Today, "the Writers Guild is
negotiating against an entity that represents studios, networks and multinational
conglomerates." Since the strike began, corporations have
threatened those involved in the strike. CBS has
reportedly threatened that showrunners will
be sued "if they don't report back into work for producing duties."
Fox has "merely stopped
compensating them for the simple reason that they have stopped
working," in reference to showrunners. In order to "cut costs," NBC
informed the non-writing staff of the Tonight Show that "it will be laid off at the
end of next week in the wake of the show shutting down for the
writers' strike." Studios have taken out misleading ads in Variety
and The Hollywood Reporter attempting to "set
the record straight," claiming they made major
concessions before the strike. But in reality, their proposal
"wouldn't cover any material originally written for Internet delivery,
a
category that in a few years may encompass all
new shows," notes Washington Post columnist Harold Meyerson. The
writers' "struggle is a
deadly serious test of whether any American workers
retain the clout to strike a deal with the unchecked greed that is the
modern American corporation," Meyerson adds.
NEW MEDIA AT CENTER STAGE: With
services like iTunes, studios can deliver products "more efficiently than
ever." Despite the cost savings, studios want to pay writers older
DVD residuals (four cents per dollar) for online content.
Furthermore, traditional media now air shows online, to be watched
for free by viewers on
the Internet, cell phones, and other new media outlets. While
corporations profit from
the ad revenue, writers "do
not get paid when TV shows are streamed for free" online.
Corporations allege the "union's efforts as prohibiting them 'from
experimenting with programming and business
models in New Media.'" The WGA strike has generated a
solidarity between the blogosphere and writers. HuffingtonPost has a full page
devoted to the strike. WGA leaders have formed their own
blog to debunk traditional
media spin and inform the public. Several other writers have been writing
online, using Facebook, and
posting YouTube videos.
Yesterday, "[m]ore than 20 bloggers who write about the industry went
'dark' in
support of the Writers Guild and its demands to be compensated for
streaming TV broadcasts and other digital media."
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The Smart car, with a "2008 EPA rating of about 40 miles per gallon on the highway," is about to hit the United States.
MASSACHUSETTS: Gov. Deval Patrick (D) "signed a bill yesterday
establishing a 35-foot buffer zone between abortion clinic entrances
and antiabortion protesters."
ALASKA:
"Warming five times faster than the rest of the world, the state is
seeing ecotourism change with the climate."
HEALTH
CARE: "More than 30,000 Medicaid providers in seven states failed
to pay more than $1 billion in federal taxes last year."
THINK
PROGRESS: ThinksGiving: help support The Progress Report and
ThinkProgress.org.
THINK
PROGRESS: President Bush dodges question about his biggest "error,"
focuses on his "disappointment" with Congress.
NEWSHOUNDS:
Fox News guest pulls eyes to sides to crudely imitate Chinese
people.
WAR
ROOM: For the second time in two days, Politico gets the facts
wrong on congressional Iraq votes.
"No Democrat who has previously supported a troop withdrawal timetable
has switched sides and voted against such a policy."
-- Politico, 11/13/07
VERSUS
"On April 26, 2007, Dodd, Nelson and Pryor all voted in favor of a bill
that would have tied funding for the war to a timetable for ending it.
Then, on Sept. 21, 2007, Dodd, Nelson and Pryor voted against a bill
that would have started a timetable for the withdrawal of combat troops
from Iraq."
-- Salon, 11/14/07







